1 00:00:04,840 --> 00:00:07,620 I want you to meet Lewis Washington. 2 00:00:08,300 --> 00:00:09,440 He's a friend of mine. 3 00:00:09,720 --> 00:00:13,460 I've given you more time than anybody else in this class, and you still 4 00:00:13,460 --> 00:00:14,460 turned in a term paper. 5 00:00:15,480 --> 00:00:17,840 Take that bird's death. 6 00:00:20,140 --> 00:00:22,780 The hardest one of all. 7 00:00:25,260 --> 00:00:26,260 No, 8 00:00:28,120 --> 00:00:31,630 but who are you to give us advice? I mean, you're not a real ass. Thank you. 9 00:01:45,070 --> 00:01:46,070 done was come prepared. 10 00:01:46,750 --> 00:01:50,310 You think you can walk in here whenever you feel like it? Since when's life the 11 00:01:50,310 --> 00:01:51,029 answer to you? 12 00:01:51,030 --> 00:01:53,470 Since Miss Grant left and put me in charge of the class. 13 00:01:53,750 --> 00:01:56,530 And since the bell rang five minutes ago making you late. 14 00:01:56,730 --> 00:02:00,150 Where is she? She went up to the office to a meeting. Yeah, and she left us in 15 00:02:00,150 --> 00:02:01,009 the hands of Mr. 16 00:02:01,010 --> 00:02:02,010 Tenderness over here. 17 00:02:02,250 --> 00:02:05,050 When you're late, you're late. I missed my train, okay? 18 00:02:05,270 --> 00:02:06,270 Hey, that's no excuse. 19 00:02:06,430 --> 00:02:07,830 You should have given yourself more time. 20 00:02:08,190 --> 00:02:12,030 You knew when you were supposed to be here. Being late shows disrespect to all 21 00:02:12,030 --> 00:02:14,430 the other dancers in the class. You should talk, right? 22 00:02:19,310 --> 00:02:21,270 How many times have you heard Ms. Grant give me this lecture? 23 00:02:21,710 --> 00:02:24,610 Well, I just wanted to see what it was like from the other side. 24 00:02:27,090 --> 00:02:28,750 Or everybody in your start position. 25 00:02:30,310 --> 00:02:31,750 Same thing we did yesterday. 26 00:02:32,530 --> 00:02:36,650 And five, six, five, six, seven, eight. 27 00:02:40,090 --> 00:02:41,750 Rockin' after midnight. 28 00:02:46,440 --> 00:02:49,400 We'll be rocking after midnight. 29 00:02:53,440 --> 00:02:54,840 After 30 00:02:54,840 --> 00:03:14,300 midnight. 31 00:03:17,030 --> 00:03:18,710 It's time to rock. Woo! 32 00:03:19,090 --> 00:03:22,050 Let me rock you, rock you, rock you after midnight. 33 00:03:22,510 --> 00:03:23,510 Bye. 34 00:03:23,950 --> 00:03:29,410 Let me rock you into love. I know you'll give me lots and lots of good, good 35 00:03:29,410 --> 00:03:30,430 loving, baby. 36 00:03:30,750 --> 00:03:32,830 After midnight, baby. 37 00:03:48,560 --> 00:03:49,560 thing over again. 38 00:03:51,600 --> 00:03:53,240 Hey, I think we're getting pretty good. 39 00:03:53,500 --> 00:03:55,000 What matters is what Miss Grant thinks. 40 00:03:55,400 --> 00:03:57,080 I think it's a terrific idea. 41 00:03:57,440 --> 00:03:59,660 Good. I'm glad you agree. 42 00:03:59,900 --> 00:04:03,240 A number with your kids is what we're looking for. Well, how could we say no 43 00:04:03,240 --> 00:04:04,240 the Actors Fund benefit? 44 00:04:04,520 --> 00:04:05,259 You couldn't. 45 00:04:05,260 --> 00:04:06,260 You wouldn't. 46 00:04:06,740 --> 00:04:11,060 Now, about the use of the school auditorium. You need to use the 47 00:04:11,060 --> 00:04:11,978 too. 48 00:04:11,980 --> 00:04:13,320 Didn't I mention that to you earlier? 49 00:04:13,560 --> 00:04:14,560 No. 50 00:04:14,800 --> 00:04:15,800 Oh, boy. 51 00:04:15,850 --> 00:04:19,370 Well, I'm sure we can work something out. Let me check the date. It's really 52 00:04:19,370 --> 00:04:21,990 going to be fabulous. There'll be stars all over the place. 53 00:04:22,510 --> 00:04:24,750 As a matter of fact, I'm going to be the master of ceremonies. 54 00:04:25,150 --> 00:04:26,610 Oh, that's very nice. 55 00:04:27,190 --> 00:04:30,390 I'm sorry to interrupt, but I just have to ask. 56 00:04:31,010 --> 00:04:32,010 Aren't you Mr. 57 00:04:32,270 --> 00:04:33,270 Hurry Scurry? 58 00:04:35,030 --> 00:04:36,030 Yes, my dear. 59 00:04:36,570 --> 00:04:37,570 Tis I. 60 00:04:38,130 --> 00:04:39,870 Oh, would you? 61 00:04:41,410 --> 00:04:43,170 I'd be more than pleased. 62 00:04:52,479 --> 00:04:56,820 You wouldn't be as nervous as I am if you drank Pittman's decaffeinated 63 00:04:56,900 --> 00:04:58,360 It keeps you so calm. 64 00:05:00,560 --> 00:05:01,980 Nervous like I am. Oh, my. 65 00:05:03,960 --> 00:05:06,280 Oh, would you? 66 00:05:06,520 --> 00:05:10,860 Oh, yes, my dear. I'd certainly be happy. Your name? Oh, yes, that would be 67 00:05:10,860 --> 00:05:11,860 nice. 68 00:05:12,560 --> 00:05:15,280 No, no, I mean your name. 69 00:05:15,660 --> 00:05:17,440 Oh, Mrs. Berg. 70 00:05:18,960 --> 00:05:21,380 Gertrude. Oh, Gertrude. 71 00:05:22,160 --> 00:05:23,160 Berg. 72 00:05:24,700 --> 00:05:28,560 I, um, I played the part of Mr. Harry Scurry on Pittman's coffee commercials. 73 00:05:29,020 --> 00:05:29,919 Uh -huh. 74 00:05:29,920 --> 00:05:30,920 I know that. 75 00:05:31,120 --> 00:05:33,180 I just figured you didn't want to be recognized. 76 00:05:33,700 --> 00:05:36,000 I mean, if I were you, I certainly wouldn't want to be. 77 00:05:38,420 --> 00:05:41,180 All those people hassling you, that's what I mean. 78 00:05:42,920 --> 00:05:46,540 Oh. I can't tell you what this means to me. 79 00:05:46,940 --> 00:05:52,240 Well, of course, I could, but... Well, why don't you? I would love to hear it. 80 00:05:52,240 --> 00:05:54,760 don't hear it often enough. It gives me such great satisfaction. 81 00:06:18,220 --> 00:06:20,380 I see a small boy taking a drink from that fountain. 82 00:06:20,900 --> 00:06:22,300 A small boy? How small? 83 00:06:22,780 --> 00:06:24,300 Well, about ten. 84 00:06:26,020 --> 00:06:29,940 No, I didn't see anything. Not just now, anyway. I beg your pardon? 85 00:06:30,620 --> 00:06:31,920 Oh, no, I was just talking to myself. 86 00:06:32,240 --> 00:06:35,420 Am I going to be talking to myself if I bring up the subject of your term paper? 87 00:06:36,000 --> 00:06:37,000 Mr. Johnson. 88 00:06:38,680 --> 00:06:41,220 This is far more serious than I think you realize. 89 00:06:42,180 --> 00:06:43,680 We'll discuss it after six period. 90 00:06:45,600 --> 00:06:47,400 You get to talk, I get to listen. 91 00:06:47,800 --> 00:06:49,460 I don't think that's much of a discussion. 92 00:06:52,300 --> 00:06:55,500 I'll save two seats for every kid who performs. That way they can bring their 93 00:06:55,500 --> 00:06:56,560 parents or their agents. 94 00:06:56,940 --> 00:06:58,260 Our students don't have agents. 95 00:06:59,000 --> 00:07:00,840 Maybe that's why they're not working. 96 00:07:02,980 --> 00:07:09,280 I'm going to take you everywhere I go. 97 00:07:09,640 --> 00:07:13,280 Oh, David, 98 00:07:15,040 --> 00:07:16,580 come here. There's someone I want you to meet. 99 00:07:18,000 --> 00:07:19,620 is... Whoa, don't tell me. 100 00:07:20,340 --> 00:07:23,220 Cliff Armbruster, right? That's right. 101 00:07:23,580 --> 00:07:24,980 The power of the two. 102 00:07:25,240 --> 00:07:29,260 No, no, no, much more than that. See, if I remember correctly, you were a child 103 00:07:29,260 --> 00:07:33,100 actor on radio, won Most Promising New Actor in 54 for your performance on 104 00:07:33,100 --> 00:07:36,780 Broadway in Thunder and Laughter, did a few films, last five or six years, 105 00:07:36,820 --> 00:07:39,000 mostly commercials, in particular, Pittman's Coffee. 106 00:07:39,940 --> 00:07:40,940 How's that? 107 00:07:41,060 --> 00:07:42,420 Well, I'm impressed. 108 00:07:42,660 --> 00:07:46,320 You really do know a lot about me. Yeah, well, I'm kind of a nut for TV trivia. 109 00:07:47,050 --> 00:07:50,250 One of the names of Lassie's masters who played Tom Corbett's Space Cadet. I 110 00:07:50,250 --> 00:07:52,450 know them all. I've won a lot of money off you. You're an easy win. 111 00:07:52,970 --> 00:07:54,710 I'm glad to hear that. 112 00:07:54,910 --> 00:07:57,910 Mr. Armbruster, I'm going to go back to work now, but I'm going to work on our 113 00:07:57,910 --> 00:07:59,710 presentation right away. Two weeks, right? 114 00:08:00,070 --> 00:08:01,070 That's right. 115 00:08:01,310 --> 00:08:03,350 It's not a piece of cake, but I think we'll be ready. 116 00:08:03,790 --> 00:08:05,830 That's the old showbiz spirit. 117 00:08:06,430 --> 00:08:07,430 How you talk. 118 00:08:08,250 --> 00:08:09,250 Ciao. Bye. 119 00:08:10,450 --> 00:08:12,590 Mr. Armbruster, you can call me Cliff. 120 00:08:13,510 --> 00:08:14,910 Here, isn't that better? 121 00:08:15,290 --> 00:08:16,290 Yeah, Cliff. 122 00:08:16,700 --> 00:08:19,840 Look, as long as you're here anyway, would you mind stopping by a drama 123 00:08:20,080 --> 00:08:21,200 maybe giving a little talk? 124 00:08:21,460 --> 00:08:23,340 Oh, I'd love to. Name the time. 125 00:08:24,240 --> 00:08:25,240 How about next period? 126 00:08:26,280 --> 00:08:28,560 I'll meet you around the corner about a quarter to three. 127 00:10:42,520 --> 00:10:44,460 Down. You're not supposed to be here. 128 00:10:46,720 --> 00:10:48,100 What are you doing in this school? 129 00:10:48,700 --> 00:10:49,700 I'm going to dance. 130 00:10:50,240 --> 00:10:51,240 You're doing what? 131 00:10:52,600 --> 00:10:53,600 What? 132 00:11:19,660 --> 00:11:22,900 Very special guest with us today. Someone I'm sure you've seen many, many 133 00:11:22,900 --> 00:11:23,900 on television. 134 00:11:24,080 --> 00:11:26,100 Drink Pittman's decaffeinated coffee. 135 00:11:26,360 --> 00:11:30,760 Oh, drink Pittman's. It makes you so calm. Not nervous like me. 136 00:11:33,180 --> 00:11:34,180 Sit down. 137 00:11:34,520 --> 00:11:38,160 I'm glad to see everybody recognizes our guest, Mr. Cliff Armbruster. 138 00:11:38,360 --> 00:11:39,360 Cheers. 139 00:11:41,760 --> 00:11:45,040 Thank you. Thank you. Very nice. 140 00:11:45,480 --> 00:11:47,540 Matter of fact, it's wonderful. 141 00:11:48,950 --> 00:11:49,950 And you. 142 00:11:50,590 --> 00:11:51,850 You're very good. What's your name? 143 00:11:52,110 --> 00:11:53,910 Danny Amatullo, star of tomorrow. 144 00:11:55,190 --> 00:11:56,890 No, no, no, no, no, no, no. 145 00:11:57,670 --> 00:11:58,670 He's right. 146 00:11:58,810 --> 00:12:02,110 A lot of you aren't going to make it until you start thinking the way that 147 00:12:02,110 --> 00:12:03,110 does. 148 00:12:03,330 --> 00:12:05,950 I am going to be a star. 149 00:12:06,250 --> 00:12:08,350 But in this school, we're taught to become fine actors. 150 00:12:08,750 --> 00:12:11,110 There are a lot of fine actors at the unemployment office. 151 00:12:11,350 --> 00:12:14,370 As a matter of fact, you can go down there any time and see them, and it 152 00:12:14,370 --> 00:12:16,470 cost you a dime. The difference is... 153 00:12:16,970 --> 00:12:19,790 What you have up here and in here. 154 00:12:21,210 --> 00:12:24,730 And maybe having a relative in the business. Brumching. 155 00:12:27,910 --> 00:12:29,510 How did you get started? 156 00:12:29,890 --> 00:12:33,410 Well, I really didn't start working steady until about six years ago when I 157 00:12:33,410 --> 00:12:34,610 myself a good commercial agent. 158 00:12:34,930 --> 00:12:38,310 But commercials don't offer much challenge for an actor, do they? No. 159 00:12:38,770 --> 00:12:39,970 They offer money. 160 00:12:40,590 --> 00:12:41,590 Brumching. 161 00:12:42,950 --> 00:12:44,070 So what's your name? 162 00:12:46,060 --> 00:12:47,620 I asked you a question. Answer it. 163 00:12:48,860 --> 00:12:50,220 Lewis Washington. 164 00:12:52,220 --> 00:12:55,180 Well, Mr. Lewis Washington, where'd you get the knife? 165 00:12:56,500 --> 00:12:57,500 What knife? 166 00:13:00,360 --> 00:13:01,640 Oh, that knife. 167 00:13:02,520 --> 00:13:04,920 Well, did you steal it? I didn't steal nothing. 168 00:13:05,120 --> 00:13:06,580 I paid for it myself. 169 00:13:07,180 --> 00:13:09,220 What would you need with a big sticker like this one? 170 00:13:09,640 --> 00:13:10,640 For protection. 171 00:13:11,360 --> 00:13:15,200 You try dashing on 153rd Street and see what happens to you. 172 00:13:15,760 --> 00:13:16,880 I have tried it. 173 00:13:17,740 --> 00:13:19,520 So, why do you want to learn how to dance? 174 00:13:20,040 --> 00:13:21,320 I know how to dance. 175 00:13:26,480 --> 00:13:33,100 But I want to learn how to dance better. 176 00:13:33,880 --> 00:13:35,040 How'd you learn how to do that? 177 00:13:36,140 --> 00:13:38,120 You ever heard of Sandman Washington? 178 00:13:40,640 --> 00:13:42,080 He was a tap dancer. 179 00:13:42,760 --> 00:13:45,660 Used to pour sand on the floor and do a sort of soft shoe. 180 00:13:46,260 --> 00:13:48,300 Yeah, I remember. I think he's dead now. 181 00:13:48,820 --> 00:13:49,820 No, he ain't. 182 00:13:50,340 --> 00:13:51,340 How you know? 183 00:13:51,560 --> 00:13:52,560 He's my father. 184 00:13:53,040 --> 00:13:54,040 For real? 185 00:13:54,700 --> 00:13:55,700 What's he doing now? 186 00:13:56,700 --> 00:13:59,580 Nothing. Just sits in the living room and watches TV. 187 00:14:00,860 --> 00:14:04,700 He used to take me out on the street every afternoon and have me dance. 188 00:14:05,180 --> 00:14:08,420 He'd say that the rich kids could get it from school, one, two, three. 189 00:14:08,800 --> 00:14:11,060 But the poor kids had to dance from soul. 190 00:14:12,620 --> 00:14:14,820 I gotta tell you, kid, he taught you real well. 191 00:14:15,300 --> 00:14:16,600 All I know is tap. 192 00:14:17,160 --> 00:14:19,120 And there ain't no call for that no more. 193 00:14:19,660 --> 00:14:22,040 I want you to teach me the other kind of dancing. 194 00:14:23,220 --> 00:14:24,220 Why? 195 00:14:24,480 --> 00:14:25,980 So I can make my dad proud. 196 00:14:28,620 --> 00:14:31,920 First of all, I don't have time. Second of all, your dad should be proud with 197 00:14:31,920 --> 00:14:33,120 the routines that you already do. 198 00:14:34,040 --> 00:14:35,620 But he hates tap dancing. 199 00:14:36,140 --> 00:14:38,720 He says he ain't dead, but he might as well be. 200 00:14:39,080 --> 00:14:41,600 He says he's sorry he ever learned how to tap dance. 201 00:14:43,890 --> 00:14:46,490 Oh, I gotta go now, kid. You take care of yourself. 202 00:14:51,590 --> 00:14:52,890 Hey, how come you're not in school? 203 00:14:53,270 --> 00:14:55,310 I told you, dancing comes first. 204 00:14:55,690 --> 00:14:56,810 You ought to be in school. 205 00:15:25,580 --> 00:15:28,180 It needs some work here and there, but it's really pretty good. 206 00:15:29,820 --> 00:15:30,940 Really pretty good? 207 00:15:31,560 --> 00:15:33,560 From you, that's a rave. When do we start? 208 00:15:33,940 --> 00:15:34,940 Start what? 209 00:15:35,580 --> 00:15:38,100 Bruno, go back ten seconds ago. 210 00:15:38,460 --> 00:15:44,000 When I was playing the song, did you notice lips were not moving? 211 00:15:44,800 --> 00:15:46,000 There are no words to the song. 212 00:15:46,940 --> 00:15:47,940 So write them. 213 00:15:48,040 --> 00:15:50,180 Hey, look, I'm not like the rest of the people in the school. 214 00:15:50,620 --> 00:15:53,960 No king -size ego talking here, but I know what I do well, and I know what 215 00:15:53,960 --> 00:15:54,960 people do better. 216 00:15:55,340 --> 00:15:56,640 You do lyrics better. 217 00:15:57,420 --> 00:15:59,660 I don't write lyrics for other people's music. 218 00:15:59,960 --> 00:16:02,280 Well, just because you haven't done it before doesn't mean you can't start. 219 00:16:02,520 --> 00:16:03,740 And you're perfectly capable. 220 00:16:04,200 --> 00:16:09,700 I know I'm perfectly capable. It just is a time factor and... Look, most people 221 00:16:09,700 --> 00:16:12,340 are reluctant to take a chance to stretch like this. 222 00:16:12,960 --> 00:16:14,740 I knew I came to the right person. 223 00:16:14,980 --> 00:16:17,080 I think you should be very proud of yourself. 224 00:16:17,560 --> 00:16:18,620 I know I am. 225 00:16:20,520 --> 00:16:21,520 Here. 226 00:16:32,330 --> 00:16:33,330 to the ship. 227 00:16:34,970 --> 00:16:35,970 Scotty, I'm waiting. 228 00:16:37,190 --> 00:16:41,370 Leroy, you are this close to being thrown out of school, and I'm afraid 229 00:16:41,370 --> 00:16:42,850 nothing more I can do to prevent it. 230 00:16:44,330 --> 00:16:46,610 I'm not even sure I want to anymore. 231 00:16:48,910 --> 00:16:50,730 Sit down, Mr. Johnson. 232 00:16:52,130 --> 00:16:53,490 We're not finished yet. 233 00:16:54,010 --> 00:16:55,470 No, you're not finished. 234 00:16:56,170 --> 00:16:58,170 I am. You just said so. 235 00:16:58,850 --> 00:17:01,370 Leroy, don't you even want to try? 236 00:17:01,880 --> 00:17:03,020 I tried, damn it. 237 00:17:08,119 --> 00:17:09,119 I tried. 238 00:17:09,140 --> 00:17:12,800 I've given you more time than anybody else in this class, and you still 239 00:17:12,800 --> 00:17:15,520 turned in a term paper. Without it, you don't get a grade. 240 00:17:15,780 --> 00:17:21,859 And without a grade... I don't know what to write about. 241 00:17:23,540 --> 00:17:28,480 I sit there, I look at a blank piece of paper, I get so mad. 242 00:17:36,880 --> 00:17:37,880 You got a better idea? 243 00:17:39,180 --> 00:17:40,860 Write about someone you know. 244 00:17:41,140 --> 00:17:45,200 Someone who interests you. Put down what you think, what you feel about that 245 00:17:45,200 --> 00:17:48,860 person. I can't. Leroy, don't try to climb a mountain. 246 00:17:49,080 --> 00:17:51,160 Just a very small hill. 247 00:17:52,140 --> 00:17:53,140 One page. 248 00:17:53,660 --> 00:17:58,700 Just write one good page. Let that be your goal. Then worry about the page 249 00:17:58,700 --> 00:17:59,920 that and the page after that. 250 00:18:02,100 --> 00:18:03,680 You make it sound so easy. 251 00:18:05,580 --> 00:18:07,180 You make it sound so impossible. 252 00:18:08,520 --> 00:18:09,520 It isn't. 253 00:18:12,200 --> 00:18:13,200 I'll try. 254 00:18:15,820 --> 00:18:17,200 Making no promises. 255 00:18:18,340 --> 00:18:19,340 And I'll try. 256 00:18:48,600 --> 00:18:52,560 Look, kid, I have to finish an essay. 257 00:18:52,820 --> 00:18:56,100 If I don't, I'm going to get kicked out of here on my... 258 00:18:56,100 --> 00:19:09,860 Is 259 00:19:09,860 --> 00:19:12,040 Samuel Washington really your father? 260 00:19:12,580 --> 00:19:14,480 I told you he was, didn't I? 261 00:19:15,160 --> 00:19:16,160 Where is he now? 262 00:19:17,200 --> 00:19:18,200 At home. 263 00:19:18,520 --> 00:19:19,239 Don't worry. 264 00:19:19,240 --> 00:19:20,900 You don't have to call him. I'm leaving. 265 00:19:21,320 --> 00:19:22,680 No, wait a minute. Wait a minute. 266 00:19:22,980 --> 00:19:24,620 You want me to teach you how to dance, right? 267 00:19:25,960 --> 00:19:28,780 Well, you know you can't get something in this world for nothing, don't you? 268 00:19:29,400 --> 00:19:30,400 I do. 269 00:19:30,720 --> 00:19:33,580 Well, what's the something you want to give me in exchange for teaching you? 270 00:19:34,440 --> 00:19:35,880 I don't know. I ain't got nothing. 271 00:19:36,880 --> 00:19:37,900 Oh, yes, you do. 272 00:19:39,240 --> 00:19:41,560 And thank you for the money. 273 00:19:43,760 --> 00:19:47,560 Now the double -triple time step separated the men from the boys. 274 00:19:48,320 --> 00:19:51,420 And what'll I do with the buggy ride? 275 00:19:51,700 --> 00:19:54,380 And what'll I do with the buggy ride? 276 00:19:56,280 --> 00:20:00,900 You know, I saw Ginger Jack Wiggins do that at the Hoofer's Club when I was a 277 00:20:00,900 --> 00:20:01,900 kid. 278 00:20:02,120 --> 00:20:04,260 Yeah, that's where you could watch and learn. 279 00:20:04,760 --> 00:20:06,380 You know, too bad it's gone. 280 00:20:07,060 --> 00:20:08,760 Just like everything else. 281 00:20:10,460 --> 00:20:13,040 Hey, where did you first start dancing? 282 00:20:13,470 --> 00:20:14,650 Probably in my crib. 283 00:20:15,190 --> 00:20:17,010 He danced at the Apollo Theater. 284 00:20:17,410 --> 00:20:20,450 I got a chance to work in the chorus when I was 15. 285 00:20:21,390 --> 00:20:22,830 Lied about my age. 286 00:20:24,130 --> 00:20:25,230 Who taught you? 287 00:20:25,530 --> 00:20:26,530 Taught myself. 288 00:20:26,710 --> 00:20:28,690 The Club Harlem, Apollo Theater. 289 00:20:29,150 --> 00:20:30,950 Sandman was a headliner in Vegas. 290 00:20:31,530 --> 00:20:33,170 It was a lounge act. 291 00:20:33,390 --> 00:20:34,890 And it was a long time ago. 292 00:20:35,930 --> 00:20:37,450 Hey, why aren't you dancing now? 293 00:20:37,930 --> 00:20:39,710 Because nobody's asking. 294 00:20:40,450 --> 00:20:42,590 If anything in this world is history. 295 00:20:43,130 --> 00:20:44,230 Top dancing, is it? 296 00:20:45,350 --> 00:20:49,790 Hey, I bet you if you go downtown... If you want to be a dancer, now that's your 297 00:20:49,790 --> 00:20:50,790 problem. 298 00:20:51,070 --> 00:20:52,650 But you take my word for it. 299 00:20:53,090 --> 00:20:54,510 It's a dead end too. 300 00:20:56,330 --> 00:20:58,430 How about the fan specialty? When did you start that? 301 00:20:58,630 --> 00:21:00,130 I don't want to talk about it anymore. 302 00:21:01,710 --> 00:21:03,470 Hey, man, it's not for me. 303 00:21:03,990 --> 00:21:05,230 It's for my English teacher. 304 00:21:07,690 --> 00:21:10,050 Then you tell this to your English teacher. 305 00:21:11,030 --> 00:21:12,030 It's a lie. 306 00:21:12,840 --> 00:21:14,200 They lied to me. 307 00:21:14,800 --> 00:21:16,920 A dream that never was. 308 00:21:18,600 --> 00:21:23,380 And by the time I woke up and saw it, it was too late for me. 309 00:21:24,500 --> 00:21:25,780 Ain't too late for you. 310 00:21:26,820 --> 00:21:28,680 Ain't too late for my boy there. 311 00:21:29,800 --> 00:21:31,280 That's what you need to hear. 312 00:21:32,340 --> 00:21:35,500 A dream that never was. 313 00:21:42,280 --> 00:21:43,280 It ain't true. 314 00:21:43,820 --> 00:21:45,200 You know it ain't true. 315 00:21:55,840 --> 00:21:59,500 Although Stravinsky once said that he felt greater freedom with the seven 316 00:21:59,500 --> 00:22:04,440 scale, he did eventually adapt to the 12 -tone method. 317 00:22:05,240 --> 00:22:10,540 Although it didn't happen until well after the end... Mr. Martelli? 318 00:22:12,430 --> 00:22:15,710 Would you share the information in the copious notes you have been taking? 319 00:22:16,310 --> 00:22:18,730 I don't think they make much sense to anybody else. 320 00:22:19,410 --> 00:22:21,190 Why not let us be the judge of that? 321 00:22:21,730 --> 00:22:28,510 I can't even read them. Now, Mr. Matawi, perhaps you would stand for us as well? 322 00:22:29,210 --> 00:22:31,610 If you please. 323 00:22:39,230 --> 00:22:41,470 Love isn't always happy dreams. 324 00:22:42,200 --> 00:22:43,860 Love isn't always what it seems. 325 00:22:44,940 --> 00:22:51,440 But if that's so, then come what may, I know I'll love you till time slips away. 326 00:22:53,860 --> 00:22:56,200 This is a love poem to a young lady? 327 00:22:58,840 --> 00:22:59,840 No. 328 00:23:00,360 --> 00:23:02,000 A love poem to a young man? 329 00:23:05,000 --> 00:23:06,080 I'm writing a lyric. 330 00:23:06,880 --> 00:23:07,880 Your music? 331 00:23:08,100 --> 00:23:09,100 Someone else's. 332 00:23:11,280 --> 00:23:14,380 Writing lyrics in classical theory class is wrong. 333 00:23:15,800 --> 00:23:19,820 Writing lyrics to music composed by someone else is a long shot. 334 00:23:20,880 --> 00:23:24,420 Writing lyrics that corny is unforgivable. 335 00:23:28,220 --> 00:23:29,240 Into Leroy. 336 00:23:31,320 --> 00:23:32,320 Make that cross. 337 00:23:33,080 --> 00:23:35,900 Leroy, could you do it a little more fully, please, so I can really see 338 00:23:35,900 --> 00:23:37,160 happening? Thank you. 339 00:23:43,530 --> 00:23:44,530 You concentrate. 340 00:23:45,190 --> 00:23:47,810 Come on downstage, Daryl and Derek and Eartha. 341 00:23:48,150 --> 00:23:50,590 People, watch your spacing. This is a blocking rehearsal. 342 00:23:52,770 --> 00:23:56,130 Leroy, what are you doing? You just threw Joanie into the wings. 343 00:23:58,030 --> 00:24:01,410 You didn't even see. You were supposed to throw her to this side of the stage. 344 00:24:01,990 --> 00:24:05,170 If you can't concentrate on what's going on in here, why don't you just leave 345 00:24:05,170 --> 00:24:05,969 the stage? 346 00:24:05,970 --> 00:24:06,970 Sorry, Miss Graham. 347 00:24:07,690 --> 00:24:11,130 People, we have less than a week to put this number together, and we're nowhere 348 00:24:11,130 --> 00:24:12,130 near ready. 349 00:24:13,420 --> 00:24:16,720 I'm going to have to ask all of you to give me time after school to rehearse. 350 00:24:17,300 --> 00:24:21,280 Now, if that's a great hardship for anyone, I will gladly let you out of 351 00:24:21,280 --> 00:24:22,280 number. 352 00:24:22,760 --> 00:24:23,760 Is that clear? 353 00:24:25,460 --> 00:24:29,020 Is that clear, Leroy? 354 00:24:30,860 --> 00:24:31,880 Um, yeah. 355 00:24:32,540 --> 00:24:35,180 So you do the whole last half of this number on point? 356 00:24:37,260 --> 00:24:39,460 Miss Grant, what are you talking about? I don't even do ballet. 357 00:24:39,980 --> 00:24:41,700 And you don't listen either. 358 00:24:42,330 --> 00:24:46,670 Leroy, most of this number is right in your hands, honey. What am I going to 359 00:24:47,030 --> 00:24:48,590 I wish you would take this seriously. 360 00:24:49,170 --> 00:24:53,630 This is the Actors Fund benefit, people. Every pro in the business will be there 361 00:24:53,630 --> 00:24:56,870 contributing their time and their effort to raise money to help take care of 362 00:24:56,870 --> 00:24:57,589 their own. 363 00:24:57,590 --> 00:25:00,790 I think they deserve to get 110%, don't you? 364 00:25:01,030 --> 00:25:04,710 Yeah. Okay, well, stay with me, people. Let's go again. From the top of Leroy's 365 00:25:04,710 --> 00:25:06,030 vocal, everyone in place, please. 366 00:25:08,030 --> 00:25:11,410 The number looks great, kids. Thanks a lot. I appreciate it. 367 00:25:16,620 --> 00:25:17,620 Why did you tell them that? 368 00:25:18,540 --> 00:25:21,280 I just thought I'd give them a little encouragement. You can't keep putting 369 00:25:21,280 --> 00:25:22,940 down all the time. I know that. 370 00:25:23,200 --> 00:25:26,220 Yeah, but they don't. You know, they're going to get enough rejection when they 371 00:25:26,220 --> 00:25:27,220 get out of this school. 372 00:25:28,180 --> 00:25:30,240 Now's the time for them to have some great expectations. 373 00:25:33,380 --> 00:25:37,160 All right, let's... Leroy, Leroy, where is... 374 00:25:49,450 --> 00:25:52,670 hard to write lyrics for somebody else's music, especially when you're doing it 375 00:25:52,670 --> 00:25:56,450 alone. Now you know. I've been saying that all along, and now you're saying 376 00:25:56,450 --> 00:25:57,389 can do better. 377 00:25:57,390 --> 00:25:59,550 Well, you can do better. You're getting ahead of it. 378 00:26:00,130 --> 00:26:03,130 I see what the problem is. 379 00:26:03,770 --> 00:26:04,770 You need feedback. 380 00:26:04,910 --> 00:26:06,310 This is not a true collaboration. 381 00:26:07,670 --> 00:26:09,290 Listen, Lincoln, please free me. 382 00:26:09,510 --> 00:26:12,590 I'm going to come over to your house tonight, and we're really going to blitz 383 00:26:12,590 --> 00:26:13,389 this thing. 384 00:26:13,390 --> 00:26:15,990 In a melody this good deserves lyrics just as classy. 385 00:26:17,150 --> 00:26:18,910 Doris, why don't you go take a break? I told you. 386 00:26:19,230 --> 00:26:20,250 I already know my limits. 387 00:26:22,070 --> 00:26:23,170 But you don't know mine. 388 00:26:26,050 --> 00:26:29,010 So when I asked Leroy who that kid was, you know what he said? He told me to 389 00:26:29,010 --> 00:26:30,010 mind my own business. 390 00:26:30,030 --> 00:26:31,030 Can you believe that? 391 00:26:31,370 --> 00:26:35,870 So then the father turns to him and says, at least pick a profession so I'll 392 00:26:35,870 --> 00:26:37,450 know what kind of work you're out of. 393 00:26:38,770 --> 00:26:41,550 But a thing like that couldn't happen to us because we're actors, right? 394 00:26:42,110 --> 00:26:43,530 Right. Wrong. 395 00:26:43,810 --> 00:26:45,210 It's probably going to happen. 396 00:26:45,680 --> 00:26:49,360 You know, nobody's giving you any guarantee of success, not even if you're 397 00:26:49,360 --> 00:26:52,780 good an actor as, say, as I am. 398 00:26:54,600 --> 00:26:56,000 Connections, that's the name of the game. 399 00:26:56,240 --> 00:26:58,960 All right, so you're my connection, so how about you set me up with one of 400 00:26:58,960 --> 00:27:00,760 commercials? Wait, wait, wait. 401 00:27:01,280 --> 00:27:02,600 That's the right idea. 402 00:27:03,160 --> 00:27:04,520 Acting is a lot of things. 403 00:27:04,860 --> 00:27:06,700 You have to learn the techniques of survival. 404 00:27:07,240 --> 00:27:09,180 You have to learn the ways to make shortcuts. 405 00:27:09,980 --> 00:27:11,340 Seems to me you've made a lot of shortcuts. 406 00:27:11,840 --> 00:27:13,220 Hey, Coco, lighten up. 407 00:27:13,580 --> 00:27:14,720 No, no, no, no, no. 408 00:27:15,960 --> 00:27:16,960 What do you mean? 409 00:27:17,140 --> 00:27:19,100 You sold yourself to the highest bidder. 410 00:27:19,300 --> 00:27:22,680 I mean, give me a break. You know, you sound like a soap opera. No, I mean, if 411 00:27:22,680 --> 00:27:25,540 all you do are commercials, I mean, what kind of real acting is that? 412 00:27:26,640 --> 00:27:31,360 I know it's a dirty business, but somebody has to do it. Yeah, me. Send 413 00:27:31,360 --> 00:27:32,039 do it. 414 00:27:32,040 --> 00:27:35,280 So who are you to give us advice if you're not even a real actor? 415 00:27:41,920 --> 00:27:45,860 Hey, she's an airhead. Don't listen to a word she says, all right? 416 00:27:50,800 --> 00:27:51,240 All 417 00:27:51,240 --> 00:28:00,020 right. 418 00:28:01,220 --> 00:28:02,620 Just like Sandman. 419 00:28:02,880 --> 00:28:05,240 You sure you ain't the one just like Sandman? 420 00:28:06,540 --> 00:28:07,540 What do you mean? 421 00:28:07,720 --> 00:28:10,020 You're thinking of giving up just like he's done. 422 00:28:10,440 --> 00:28:11,940 Listen, kid, you don't understand. 423 00:28:12,260 --> 00:28:15,160 It don't have nothing to do with... Don't... Tell me you don't want to learn 424 00:28:15,160 --> 00:28:16,160 this. 425 00:29:05,640 --> 00:29:07,380 Why don't you try that little step with me? 426 00:29:08,360 --> 00:29:10,860 Okay. Five, six, seven, eight. 427 00:29:21,000 --> 00:29:23,220 Not bad. 428 00:29:24,080 --> 00:29:25,500 Now you show me something. 429 00:29:26,940 --> 00:29:27,940 Okay. 430 00:29:48,850 --> 00:29:49,850 Try this. 431 00:30:19,660 --> 00:30:21,520 Now let me see how good you are. Do a witness. 432 00:30:22,260 --> 00:30:24,400 Okay. Five, six, seven, eight. 433 00:30:30,280 --> 00:30:36,960 Did I leave anything 434 00:30:36,960 --> 00:30:39,480 out? No, man, you ain't leaving nothing out at all. 435 00:30:40,780 --> 00:30:45,460 Ms. Sherwood, Ms. Grant, I want you to meet Louis Washington. 436 00:30:46,300 --> 00:30:47,300 He's a friend of mine. 437 00:31:00,330 --> 00:31:03,530 You know, there's only so many inches in a foot, so many ounces in a pound. 438 00:31:04,670 --> 00:31:05,750 Did you hear what I just said? 439 00:31:06,110 --> 00:31:07,110 No. 440 00:31:07,350 --> 00:31:09,610 A lot of weight that's a miracle time in the kitchen, eh? 441 00:31:12,590 --> 00:31:13,590 What are you doing? 442 00:31:14,770 --> 00:31:16,950 We will serve no words before their time. 443 00:31:18,310 --> 00:31:19,890 It's just a little rewrite, actually. 444 00:31:20,550 --> 00:31:21,550 Words, mostly. 445 00:31:21,710 --> 00:31:23,210 Think of it as a springboard. 446 00:31:23,670 --> 00:31:24,670 Jumping off place. 447 00:31:25,350 --> 00:31:28,150 Yeah, it's funny. I've been looking for a jumping off place. I'm going. 448 00:31:41,390 --> 00:31:47,870 You're looking at a dream, and it seems so far away. 449 00:31:48,890 --> 00:31:55,890 So you hide your hopes inside your heart, waiting for a brighter day. 450 00:31:56,970 --> 00:32:00,250 I know just what you feel. 451 00:32:01,130 --> 00:32:04,110 You don't know where to start. 452 00:32:05,590 --> 00:32:10,690 Once you've made it past your fear, you're past... 453 00:32:12,910 --> 00:32:15,150 Take that first step. 454 00:32:16,730 --> 00:32:20,270 The hardest one of all. 455 00:32:20,890 --> 00:32:25,810 It only looks easy to you. 456 00:32:26,350 --> 00:32:31,110 Stumble and fall. Take that first step. 457 00:32:32,330 --> 00:32:34,230 Let your heart... 458 00:33:01,390 --> 00:33:04,310 Just where that step will lead. 459 00:33:05,330 --> 00:33:08,550 A thousand choices call you. 460 00:33:08,810 --> 00:33:11,870 Which one's the one you need? 461 00:33:12,990 --> 00:33:16,390 There is no certain answer. 462 00:33:17,170 --> 00:33:20,070 All we can do is try. 463 00:33:21,010 --> 00:33:24,870 We're gambling, we're together beginning. 464 00:35:01,550 --> 00:35:04,790 There's not one of my words left here. You rewrote me completely. 465 00:35:05,930 --> 00:35:09,030 Martelli, welcome to the NFL. 466 00:35:11,450 --> 00:35:15,230 Five, six, seven, eight, and six, six, six, six. 467 00:35:15,750 --> 00:35:17,710 Hold it, people, hold it, hold it, hold it, okay? 468 00:35:18,490 --> 00:35:19,610 Take a little break, okay? 469 00:35:20,130 --> 00:35:24,670 Wait a minute, honey, I didn't mean fall out now. We are still working here. 470 00:35:25,370 --> 00:35:26,590 Ain't nobody doubting that. 471 00:35:27,150 --> 00:35:29,550 Miss Crack, we have a break because we are played out. 472 00:35:30,800 --> 00:35:31,840 Oh, you children of time. 473 00:35:32,280 --> 00:35:33,940 You've been working us real hard. 474 00:35:34,300 --> 00:35:37,940 Girl, you don't know what hard is. If you're ever lucky enough to get into a 475 00:35:37,940 --> 00:35:41,320 professional dance ensemble, you're going to look back on this as a 476 00:35:42,300 --> 00:35:44,140 And I forgot to bring my camera. 477 00:35:45,400 --> 00:35:47,700 Well, don't forget to take a shower. Go on, y 'all. 478 00:35:49,140 --> 00:35:50,140 Leroy, come here. 479 00:35:54,240 --> 00:35:55,400 What is wrong with you? 480 00:35:56,360 --> 00:35:57,360 What are you talking about? 481 00:35:57,690 --> 00:36:00,770 Miss Sherwood tells me you have not turned in your paper yet. 482 00:36:01,630 --> 00:36:05,210 Now, you know that she will fail you if you don't do your work. She has no 483 00:36:05,210 --> 00:36:08,830 choice. And that means that all your good work in here is just going right 484 00:36:08,830 --> 00:36:09,830 the drain. 485 00:36:12,110 --> 00:36:13,550 Now, what's wrong? What's the matter? 486 00:36:14,550 --> 00:36:21,330 Well, if a dancer like Sandman Washington can't make it, what kind of 487 00:36:21,330 --> 00:36:22,330 I have? 488 00:36:24,190 --> 00:36:25,190 Million to one? 489 00:36:25,250 --> 00:36:26,830 No, billion to one. 490 00:36:27,310 --> 00:36:28,550 But there is that one. 491 00:36:28,910 --> 00:36:33,350 And whether or not you have guts enough to stick it out, well, that remains to 492 00:36:33,350 --> 00:36:34,350 be seen. 493 00:36:38,790 --> 00:36:42,890 You just, uh, try to find someplace to seat yourself. 494 00:36:43,710 --> 00:36:45,550 Well, did Mr. Reardon say he was going to meet me here? 495 00:36:45,850 --> 00:36:48,390 Uh, Miss Hernandez, I can't tell you that. 496 00:36:48,850 --> 00:36:51,670 Uh, that would be confidential information. 497 00:36:53,330 --> 00:36:55,390 Besides, he didn't tell me. 498 00:36:56,640 --> 00:36:58,180 I'm sure he'll be right along. 499 00:37:09,100 --> 00:37:10,620 Mrs. Berg lied to you. 500 00:37:14,700 --> 00:37:15,700 Why'd she lie? 501 00:37:16,600 --> 00:37:17,640 Because I asked her to. 502 00:37:18,880 --> 00:37:20,360 You're not here to see Mr. Reardon. 503 00:37:22,020 --> 00:37:23,220 I'd like you to listen to me. 504 00:37:39,950 --> 00:37:46,330 I have of late, but wherefore I know not, lost all my mirth, 505 00:37:46,330 --> 00:37:50,070 foregone all custom of exercises. 506 00:37:51,230 --> 00:37:56,530 And indeed, it goes so heavenly with my disposition that this goodly frame the 507 00:37:56,530 --> 00:37:59,990 earth seems to me a sterile promontory. 508 00:38:02,770 --> 00:38:04,390 What a piece of work is man. 509 00:38:04,810 --> 00:38:07,770 How noble in reason, how infinite in faculties. 510 00:38:08,430 --> 00:38:11,990 In form and moving, how express and admirable. 511 00:38:13,490 --> 00:38:16,050 In action, how like an angel. 512 00:38:17,170 --> 00:38:20,150 In apprehension, how like a god. 513 00:38:21,210 --> 00:38:24,410 The beauty of the world, the paragon of animals. 514 00:38:25,510 --> 00:38:29,210 And yet to me, what is this quintessence of dust? 515 00:38:34,630 --> 00:38:36,190 Man delights, not me. 516 00:38:39,400 --> 00:38:40,440 Nor woman neither 517 00:38:40,440 --> 00:38:52,920 Nice 518 00:38:52,920 --> 00:38:58,360 I'm glad you feel that way 519 00:38:58,360 --> 00:39:02,880 You know 520 00:39:06,570 --> 00:39:10,590 What you said to me in the cafeteria yesterday was chiefly responsible for my 521 00:39:10,590 --> 00:39:11,590 trying. 522 00:39:13,290 --> 00:39:16,610 What I was trying to say... No, no. A lot of what you said was absolutely 523 00:39:16,610 --> 00:39:17,610 correct. 524 00:39:18,130 --> 00:39:20,690 A lot of these old actors' muscles needed work. 525 00:39:21,290 --> 00:39:24,830 You know, what you saw me do up there just now wasn't easy. It took a lot of 526 00:39:24,830 --> 00:39:25,830 work on my part. 527 00:39:26,110 --> 00:39:27,110 Well, the work worked. 528 00:39:27,830 --> 00:39:30,570 Yeah, now, if I may, I'd like to say something to you. 529 00:39:33,290 --> 00:39:38,550 I'm no Lawrence Olivier. I'm not a great actor. I'm just an honest craftsman. I 530 00:39:38,550 --> 00:39:39,970 work hard at what I have to do. 531 00:39:40,790 --> 00:39:46,090 My skills, at whatever level they are, sent two kids through college. 532 00:39:46,490 --> 00:39:52,770 I have a son who's a veterinarian in Minnesota, and I have another who owns a 533 00:39:52,770 --> 00:39:54,530 dental lab just outside of Columbus, Ohio. 534 00:39:56,210 --> 00:39:59,690 My silly portrayal of Mr. Hurry Scurry... 535 00:40:00,680 --> 00:40:04,020 enabled me to pay the doctor bills during my wife's final illness. 536 00:40:05,420 --> 00:40:10,620 My average talent did some very good things for some very deserving people. 537 00:40:12,160 --> 00:40:19,160 My average talent and my very average life don't deserve 538 00:40:19,160 --> 00:40:20,540 the judgment you gave them. 539 00:40:25,440 --> 00:40:26,500 Thanks for listening. 540 00:40:30,060 --> 00:40:36,940 No, Coco, leave the door open a little bit next time. Let some doubt 541 00:40:36,940 --> 00:40:37,940 in. 542 00:40:38,380 --> 00:40:41,480 Doubt usually carries a little compassion in its back pocket. 543 00:40:58,320 --> 00:41:00,520 I sent Lewis to the market, Leroy. 544 00:41:00,740 --> 00:41:01,740 He ain't here. 545 00:41:02,240 --> 00:41:03,700 That's okay. I want to talk to you. 546 00:41:07,660 --> 00:41:08,660 Come on in. 547 00:41:14,060 --> 00:41:16,020 More questions for your school paper? 548 00:41:16,660 --> 00:41:17,800 No, I finished it. 549 00:41:18,840 --> 00:41:21,040 I figured you might want to help me out with the title. 550 00:41:21,900 --> 00:41:22,900 Why? 551 00:41:23,460 --> 00:41:24,600 Because it's about you. 552 00:41:28,400 --> 00:41:29,740 I was gonna call a dancer. 553 00:41:31,320 --> 00:41:32,320 But you're not. 554 00:41:33,100 --> 00:41:34,100 Not anymore. 555 00:41:36,520 --> 00:41:38,800 I mean, once you was up there with the best of them. 556 00:41:40,280 --> 00:41:42,560 But when you gave up, you lost everything. 557 00:41:44,160 --> 00:41:46,280 Including the right to call yourself a dancer. 558 00:41:47,600 --> 00:41:50,640 And that respect that you're looking for, I think that's something inside of 559 00:41:50,640 --> 00:41:51,640 you. 560 00:41:53,080 --> 00:41:56,440 I mean, something that a kid can look up to with so much pride. 561 00:41:57,260 --> 00:42:02,080 That the only thing he wants to be in the whole world is a dancer. 562 00:42:03,540 --> 00:42:04,860 Just like his dad. 563 00:42:09,060 --> 00:42:11,760 My English teacher didn't say I had to have a title for this. 564 00:42:13,940 --> 00:42:15,620 But it sure would have been nice. 565 00:42:33,490 --> 00:42:35,450 Okay. Gotta go to the benefit tonight. 566 00:42:36,230 --> 00:42:37,430 I wish you were gonna be there. 567 00:42:39,070 --> 00:42:40,070 Me too. 568 00:42:40,930 --> 00:42:41,930 Knock him dead. 569 00:42:42,530 --> 00:42:43,530 Count on it. 570 00:43:00,400 --> 00:43:03,400 Okay, I just stopped by to wish you all good luck. I know you're going to be 571 00:43:03,400 --> 00:43:06,760 terrific. Thank you. Break a leg, Mr. Armbruster. 572 00:43:07,820 --> 00:43:09,780 Oh, my. I certainly hope not. 573 00:43:13,900 --> 00:43:17,220 Well, there are two presentations before we go on, so y 'all can still keep... 574 00:43:17,220 --> 00:43:18,118 Oh, Leroy. 575 00:43:18,120 --> 00:43:19,780 Hey, there's someone outside who wants to talk to you. 576 00:43:23,400 --> 00:43:26,220 Yeah. He said you promised they could watch from the wings. 577 00:43:26,580 --> 00:43:27,580 Hey. 578 00:43:30,600 --> 00:43:32,040 Oh, looks like I have to rewrite my essay. 579 00:43:32,280 --> 00:43:34,500 I guess so. Sorry. My pleasure. 580 00:43:36,420 --> 00:43:39,360 And now, ladies and gentlemen, that moment you've been waiting for. 581 00:43:39,900 --> 00:43:44,900 The students of the School of the Arts and their dance instructor, Lydia Grant, 582 00:43:45,060 --> 00:43:49,340 proudly present a classic of song and dance. 583 00:44:03,980 --> 00:44:04,980 Dude. 584 00:44:48,720 --> 00:44:49,720 Everyone. 585 00:45:36,460 --> 00:45:37,460 In the rain. 586 00:46:28,040 --> 00:46:29,040 Thank you.